This focus on something new is of course in the context of a greater overall focus on things old – or at least historical. The theme of the conference was ‘Shaping our Legacy: Safeguarding the Social and Cultural Record’ – a useful way to draw together thoughts about the impact of our curation decisions today on the shape of tomorrow’s digital collections. Whether these are collections of art, museum holdings or research datasets, their form and extent will potentially influence thought and decision-making for generations to come.
Whilst much DCC activity engages with research practice from across many disciplines, one area that I find particularly interesting is research practice where the term ‘research data’ is one that researchers are not necessarily comfortable with. It is important to remember that many scholars in the arts and humanities are indeed very confident and comfortable with the term ‘research data’ and apply it happily in their own practice. But not all scholars feel this way, and many of those in my experience happen to emerge from the arts and humanities areas. So how do we engage with these audiences?
